This volume accompanies the first volume by Goldenberg (Jerusalem Academy of Music & Dance Research), which consists of the text of his argument, in which he examines Schenker's admonition against the prolongation of seventh chords and argues for its justification. Here, he provides many examples of pieces by composers that Schenker admired, from Bach to Mahler to Scriabin, in Schenkerian voice-leading graphs. Annotation ©2009 Book News, Inc., Portland, OR (booknews.com)