Since its introduction to the public in September of 1925 on a street corner in New York City, the automatic photobooth has captured the interest of the general public and fine artists alike. Raynal Pellicer, author of <I>Mug Shots</I>, examines the self-portraits&#8212;sometimes practical, sometimes whimsical&#8212;produced by this enduring 20th-century novelty. <P style="MARGIN: 0in 0in 0pt; mso-line-height-alt: 8.05pt; mso-pagination: none; mso-layout-grid-align: none">&#160;</P> <P style="MARGIN: 0in 0in 0pt; mso-line-height-alt: 8.05pt; mso-pagination: none; mso-layout-grid-align: none">The countless documents included here feature shots of Francis Bacon, Billy Childish, Allen Ginsberg, John F. Kennedy, Anne Frank, Salvador Dal&#237;, Andr&#233; Breton, Wim Wenders, Walker Evans, and John Lennon, among others. <I>Photobooth </I>draws a fantastic inventory of artistic variations on the snapshot, bringing together works of art and self-portraits of persons both known and unknown, from the 1920s to the present.</P>