<div>A powerful, inventive play that mixes real testimonials alongside existing and original music to explore one of the most important social concerns of today: homelessness amongst young people.<br><br>Bullet doesn’t want to call a hostel home. Eritrean Girl was smuggled here in a lorry. Singing Boy dreams of seeing his name in lights and Garden Boy just wants to feel safe. In 2013, homelessness amongst young people in the UK is at a record high, so when the big society doesn't work ? where do you go? An inner city high rise hostel, Target East, offers a roof.<br><br><i>Home</i> brings to life the unheard voices of the young residents and staff who live and work behind the anonymous concrete walls. A bold documentary play that asks what it really means to call somewhere home, it is offers ideal material for youth theatres and young performers.<br><br>&quot;Raises timely political questions in a fresh and streetwise style.&quot; - <i>Evening Standard</i><br><br>&quot;Filled with a fierce eloquence... a boldly theatrical piece.&quot; - <i>Guardian</i><br><br>&quot;Extraordinary... leaves you not just moved, but awed and uplifted.&quot; - <i>Metro</i><br><br>&quot;Powerful... an honest and reflective piece of theatre.&quot; - <i>The Stage</i><br><br><b>Nadia Fall</b> is a director, whose credits include <i>The Maids</i> (Lyric Hammersmith),<i>Hymn</i> (National Theatre, then Duchess Theatre), <i>The Doctor's Dilemma</i> (National Theatre) and<i>Disgraced</i> (Bush Theatre), as well as working as Associate Director on the Olivier Award-winning<i>The Curious Incident of the Dog in the Night Time</i>. She is also Artistic Director of Naach Theatre Company.</div>