<p>In this important new book, leading cultural theorist and philosopher Bernard Stiegler re-examines the relationship between politics and art in the contemporary world. Our hyper-industrial epoch represents what Stiegler terms a �katastroph of the sensible�. This katastroph is not an apocalypse or the end of everything, but the denouement of a drama; it is the final act in the process of psychic and collective individuation known as the �West�.</p><p>Hyper-industrialization has brought about the loss of symbolic participation and the destruction of primordial narcissism, the very condition for individuation. It is in this context that artists have a unique role to play. When not subsumed in the capitalist economy, they are able to resist its synchronizing tendency, offering the possibility of reimagining the contemporary model of aesthetic participation.</p><p>This highly original work - the second in Stiegler�s Symbolic Misery series - will be of particular interest to students in philosophy, media and cultural studies, contemporary art and sociology, and will consolidate Stiegler�s reputation as one of the most original cultural theorists of our time.</p>