<DIV><p>&ldquo;Vivid autobiography from the Grammy Award&ndash;winning filmmaker, friend of The Clash and Bob Marley, DJ and co-founder of Big Audio Dynamite.&rdquo;&mdash;<i>Observer Music Monthly</i></p><p>&ldquo;Whether relating tales of fainting at Black Panther meetings, being stopped under SUS laws, going to Jamaica, hanging out with Bob Marley and Afrika Bambaataa, forming a band with Mick Jones and most recently capturing Gil Scott Heron, Paul Weller and George Clinton on celluloid, he emerges as an intelligent, arresting, thoroughly likeable narrator.&rdquo;&mdash;<i>Mojo</i></p><p>&ldquo;[Don] Letts is extraordinarily honest in every sense. Throughout, his sense of assurance and confidence in his place within the world&mdash;outsider and insider by equal measure&mdash;is inspiring.&rdquo;&mdash;<i>The Wire</i></p><p>&ldquo;The best lesson that the filmmaker Don Letts&rsquo; autobiography can teach modern Britain is a simple one. Never limit yourself. Letts did not allow himself to be fully defined by his colour, nationality or even his Rastafarianism. That helped him play a part in the unification of the punk and reggae scenes. In doing so, he helped race relations in this country to no end.&rdquo;&mdash;<i>The Independent</i></p><p>&ldquo;Letts&rsquo; opinionated and witty narrative is full of the kind of anecdotes (filming and hanging out with the Clash, Sex Pistols, Bob Marley and more) that some people would trade a limb for.&rdquo;&mdash;<i>Q Recommends</i></p><p><b>Don Letts</b> has never pigeonholed himself. <i>Culture Clash</i> is a firsthand account, told in Letts&rsquo; own words&mdash;it&rsquo;s highly visual, revelatory, irreverent, entertaining, and staunchly individual.</p></DIV>