<DIV><DIV><P style="MARGIN: 0in 0in 0pt">Film is in a state of rapid change: the transition from analog to digital is profoundly affecting not just filmmaking and film distribution but a number of other facets of the industry, including the ways in which films are archived. In <I>From Grain to Pixel</I>&#8212;the first volume in the new Framing Film<I> </I>series from Amsterdam University Press&#8212;Giovanna Fossati brings together scholars and archivists to discuss their theories on digitization and to propose new possibilities for future archives. &nbsp;</P><P style="MARGIN: 0in 0in 0pt">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8220;Giovanna Fossati does more than simply give the most thoughtful, thorough and up-to-date account of the transformation in motion picture archiving over the last decades. She forces us to reconsider the nature of the moving image and prepare for a new era of communication and preservation.&#8221;&#8212;Tom Gunning, University of Chicago</P><P style="MARGIN: 0in 0in 0pt; TEXT-INDENT: 0.5in">&#8220;Scholarly research on film and media is profoundly influenced by the way in which moving images are preserved and made accessible for scrutiny. This fact alone should make Giovanna Fossati&#8217;s book mandatory reading for all graduate courses in the field.&#8221;&#8212;Paolo Cherchi Usai, Haghefilm Foundation</P></DIV></DIV>