<DIV><DIV><P>Although initially intended for the innovative, if prosaic, purpose of providing waterproof and fireproof cover for earlier thatch-roofed homes, fired clay tiles, in seventh- and sixth-century Etruria and Central Italy, combined with Etruscan love of adornment to create exceptional domestic and religious building decoration. Featuring statues and figured friezes of humans, animals, and mythological figures intended to convey the status of the owner or dedicator, the surviving terracotta roofs provide important insights into the architectural history of Etruria. With <I>Symbols of Wealth and Power,</I> Nancy A. Winter has provided a definitive overview of the evidence for these roofing elements that will enhance our knowledge of Etruscan---and more broadly, ancient---architecture.</P><P>Nancy A. Winter is an archaeologist and former librarian of the American School of Classical Studies, Athens. She is the author of <I>Greek Architectural Terracottas: From the Prehistoric to the End of the Archaic Period</I> (1993).</P><DIV>Also of Interest <BR><I>Role Models in the Roman World: Identity and Assimilation,</I> edited by Sinclair Bell and Inge Lyse Hansen<BR><I>The Maritime World of Ancient Rome,</I> edited by Robert L. Hohlfelder<BR><I>Cosa: The Black-Glaze Pottery 2,</I> by Ann Reynolds Scott</DIV><DIV><DIV>&nbsp;</DIV><DIV>Jacket illustration: Tuscania, Ara del Tufo, 560&#8211;550 B.C.</DIV></DIV></DIV></DIV>