<DIV><DIV><DIV><DIV><P style="MARGIN: 0in 0in 0pt">Hal Ashby (1929&#8211;1988) was always an outsider, and as a director he brought an outsider&#8217;s perspective to Hollywood cinema. After moving to California from a Mormon household in Utah, he created eccentric films that reflected the uncertain social climate of the 1970s. Whether it is his enduring cult classic <I>Harold and Maude</I> (1971) or the iconic <I>Being There</I> (1979), Ashby&#8217;s artistry is unmistakable. His skill for blending intense drama with off-kilter comedy attracted A-list actors and elicited powerful performances from Jack Nicholson in <I>The Last Detail</I> (1973), Warren Beatty and Julie Christie in <I>Shampoo </I>(1975), and Jon Voight and Jane Fonda in <I>Coming Home </I>(1979). Yet the man behind these films is still something of a mystery.<I></I></P><P style="MARGIN: 0in 0in 0pt">&nbsp;</P><P style="MARGIN: 0in 0in 0pt">In <I>Being Hal Ashby: Life of a Hollywood Rebel</I>, author Nick Dawson for the first time tells the story of a man whose thoughtful and challenging body of work continues to influence modern filmmakers and whose life was as dramatic and unconventional as his films. Ashby began his career as an editor, and it did not take long for his talents to be recognized. He won an Academy Award in 1967 for editing <I>In the Heat of the Night</I> and leveraged his success as an editor to pursue his true passion: directing. Crafting seminal films that steered clear of mainstream conventions yet attracted both popular and critical praise, Ashby became one of the quintessential directors of the 1970s New Hollywood movement.</P><P style="MARGIN: 0in 0in 0pt">&nbsp;</P><P style="MARGIN: 0in 0in 0pt">No matter how much success Ashby achieved, he was never able to escape the ghosts of his troubled childhood. The divorce of his parents, his father&#8217;s suicide, and his own marriage and divorce&#8212;all before the age of nineteen&#8212;led to a lifelong struggle with drugs for which he became infamous in Hollywood. And yet, contrary to mythology, it was not Ashby&#8217;s drug abuse that destroyed his career but a fundamental mismatch between the director and the stifling climate of 1980s studio filmmaking.</P><P style="MARGIN: 0in 0in 0pt">&nbsp;</P><P style="MARGIN: 0in 0in 0pt">Although his name may not be recognized by many of today&#8217;s filmgoers, Hal Ashby is certainly familiar to filmmakers. Despite his untimely death in 1988, his legacy of innovation and individuality continues to influence a generation of independent directors, including Wes Anderson, Sean Penn, and the Coen brothers, who place substance and style above the pursuit of box-office success. In this groundbreaking and exhaustively researched biography, Nick Dawson draws on firsthand interviews and personal papers from Ashby&#8217;s estate to offer an intimate look at the tumultuous life of an artist unwilling to conform or compromise.</P></DIV>