<DIV><p><p>Students of English literature now rarely receive instruction in versification (theory or practice) at either the undergraduate or the graduate level. <B><i>The Long and the Short of It </i></B>is a clear, straightforward account of versification that also functions as an argument for a renewed attention to the formal qualities of verse and for a renewed awareness of the forms and traditions that have shaped the way we think about English verse.</p><p>After an introduction and discussion of basic principles, Joseph A. Dane devotes a chapter to quantitative verse (Latin), syllabic or isosyllabic verse (French), and accentual verse (Old English/Germanic). In addition to basic versification systems, the book includes a chapter on musical forms, since verse was originally sung. Most serious studies of these systems in English have been designed for language students, and are not accessible to students of English literature or general readers. This book will enable the reader to scan verse in all three systems, and it will also provide a framework within which students can understand points of contention about particular verse forms. The guide includes a chapter addressed to teachers of English, an appendix with examples of verse types, and a glossary of commonly used terms.</p> <p>"Joseph Dane's <B><i>The Long and the Short of It</i> </B>is simply the clearest, most concise, and also the most elegant book about versification that I have ever read. What a relief to have this extraordinary tool for the classroom and to be able to pass it along to friends who are poetry readers as well. Dane's section on 'The Power of Music' is a revelation in its discussion of the practical distinctions between systems of literary and musical notation. This is a long overdue and remarkably precise guide to those practices that have too often remained mysterious to many readers of poetry, both old and new." --<B>David St. John, University of Southern California</B></p><p>"This book makes an original contribution in its approach, which demonstrates how English prosody depends on and derives from the metrical systems of earlier poetic forms. But it does more than that: it brings into one place a succinct description of Latin prosody--surprisingly hard to find--that is then linked to other forms students might have heard of in other classes." --<B>Sarah Spence, University of Georgia </B></p><p>"This is a remarkably clear, succinct, and at times witty handbook to literary versification. Its primary goal is to explain the basic forms of prosody in Latin, French, English, and the older Germanic languages. Students of literature, and of creative writing, need to understand that verbal expression is not the unmediated release of sensibility but the crafted and highly nuanced organization of that sensibility in forms." --<B>Seth Lerer, University of California, San Diego</B></p></p><p> </p></DIV>