The new, fifth edition of Robert Cohen's <i>Acting One</i>, the text used to teach acting on more campuses than any other, has now been combined for the first time with his <i>Acting Two,</i> (the second edition of his previously-titled <i>Advanced Acting</i>). Together, <i>Acting One/Acting Two</i> provides a <i>comprehensive and fully integrated system of all acting</i>, from the most realistic to the most stylized. Part One (<i>Acting One</i>) covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making powerful acting choices. Part Two (<i>Acting Two</i>) provides a series of exercises that encourage the student actor's self-extension into radically different styles (historical, literary, fantastical) and characterizations; then coaches the student through scenework in a variety of historical periods (Greek, Commedia, Elizabethan, Molière, Restoration, Belle Epoque), as well as modern hyper-realistic theatrical forms such as the theatres of alienation and the absurd, and exemplary recent dramas by Tony Kushner, Margaret Edson, August Wilson and Doug Wright.