<DIV><i>Land/Scape/Theater</i> proposes landscape as a necessary paradigm for understanding modern theater's increasingly spatialized aesthetic as well as its engagement with the cultural meanings of place and space.<br></div><DIV>Embracing subjects as diverse as the "landscape dramaturgy" of Suzan-Lori Parks, Artaud's trip to the Sierra Madre,Gertrude Stein's landscape theory and practice, Guillermo Gomez-Peña's "border subjects," and Bayreuth and Disneyland as cultic sites, <i>Land/Scape/Theater</i> draws on a broad range of theory, dramatic texts, and performance. All aspects of modern theater, these essays suggest, including the bedrock Aristotelian constituents of plot and character, have a landscape dimension that often goes unrecognized.<br></div><DIV>With its broad theoretical range and cross-disciplinary reach, <i>Land/Scape/Theater</i> will interest theater theorists and practitioners and cultural studies specialists, including historians of landscape. Theater students, scholars, teachers, directors, designers, and actors will find here a new framework and a new vocabulary for understanding both theater and the larger culture.<br></div>