<DIV>Fake documentaries mimic documentary genre expectations, unraveling the documentary's authority and dismantling understandings of identity, history, and nation. The interdisciplinary essays in <I>F Is for Phony</I> discuss a broad scope of works and explore issues raised by “fake docs” such as the fiction/documentary divide, the ethics of reality-based manipulation, and whether documentariness derives from form or reception.<br><br> Defining the borderline between fact and fiction, the contributors reveal what fake documentaries imply and usually make explicit: that many documentaries lie to tell the truth, and that the truth is relative.<br><br> Contributors: Steve Anderson, Catherine L. Benamou, Mitchell W. Block, Luis Buñuel, Marlon Fuentes, Craig Hight, Charlie Keil, Alisa Lebow, Eve Oishi, Robert F. Reid-Pharr, Gregorio C. Rocha, Jane Roscoe, Catherine Russell, Elisabeth Subrin.<br><br> Alexandra Juhasz is professor of media studies at Pitzer College. She is author of <I>Women of Vision: Histories in Feminist Film and Video</I> (Minnesota, 2001).<br><br> Jesse Lerner is associate professor of media studies at Pitzer College.</DIV>