Paul Auster has earned international praise for the imaginative power of his many novels, including <em>The New York Trilogy, Moon Palace, The Music of Chance, Mr. Vertigo</em>, and <em>Timbuktu</em>. He has also published a number of highly original non-fiction works: <em>The Invention of Solitude, Hand to Mouth, and The Art of Hunger</em>. In <em>The Red Notebook</em>, Auster again explores events from the real world large and small, tragic and comic—that reveal the unpredictable, shifting nature of human experience. A burnt onion pie, a wrong number, a young boy struck by lightning, a man falling off a roof, a scrap of paper discovered in a Paris hotel room—all these form the context for a singular kind of <em>ars poetica</em>, a literary manifesto without theory, cast in the irreducible forms of pure story telling.