<DIV></DIV> <DIV> <P style="MARGIN: 0in 0in 0pt">Paul Celan (1920&#8211;70) is one of the best-known German poets of the Holocaust; many of his poems, admired for their spare, precise diction, deal directly with its stark themes. Austrian writer Ingeborg Bachmann (1926&#8211;73) is recognized as one of post&#8211;World War II German literature&#8217;s most important novelists, poets, and playwrights. It seems only appropriate that these two contemporaries and masters of language were at one time lovers, and they shared a lengthy artful and passionate correspondence. </P> <P style="MARGIN: 0in 0in 0pt">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Collected here for the first time in English are their letters written between 1948 and 1961. Their correspondence forms a moving testimony of the discourse of love in the age after Auschwitz, with all the symptomatic disturbances and crises caused by their&nbsp; conflicting backgrounds and their hard-to-reconcile designs for living&#8212;as a woman, as a man, as writers. In addition to the almost 200 letters, the volume includes an important exchange between Bachmann and Gis&#232;le Celan-Lestrange, who married Celan in 1951, as well as the letters between Paul Celan and Swiss writer Max Frisch.</P> <P style="MARGIN: 0in 0in 0pt; TEXT-INDENT: 0.5in; TEXT-ALIGN: justify; mso-pagination: none; mso-layout-grid-align: none">&#8220;Scarcely more breathlessly and desperately can two lovers ever have struggled for words. Little known among German literary historians, the relationship between these two poets amounts to one of the most dramatic and momentous occurrences in German literature.&#8221;&#8212;<I>FAZ</I>, on the German edition</P> <P style="MARGIN: 0in 0in 0pt">&nbsp;</P></DIV>