In this revised edition, Lippman offers a philosophy of music that is linked to both the humanities and sciences by taking a humanistic approach that centers on a philosophy rather than an aesthetics of music, which he claims is too limiting. He considers the basic elements of music; form, meaning, and style; aspects of permanence, such as notation; composite arts, such as dance and opera; context; and conceptions of music. He examines the connection of both history and psychology with music, cultural influences, its physical properties versus perceptive and performance qualities, and the nature of change in music over time. No bibliography is provided. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com)