<DIV><DIV><I>Nostromo</I>, by <B>Joseph Conrad</B>, is part of the <I> </I>series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of <I>Barnes & Noble Classics</I>:<div><UL type=disc><LI></UL>All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. <I>Barnes & Noble Classics </I>pulls together a constellation of influences?biographical, historical, and literary?to enrich each reader's understanding of these enduring works.</DIV></DIV><P style="MARGIN: 0in 0in 0pt"> </P><P style="MARGIN: 0in 0in 0pt">One of the greatest novels of the twentieth century, Joseph Conrad's <I>Nostromo</I> is an immensely exciting tale of love, revolution, and politics set in the mythical South American country of Costaguana during the 1890s.<BR><BR>Ten years after his father is murdered by a brutal dictator, Englishman Charles Gould arrives in Costaguana to reopen the family silver mine. But instead of ushering in a shining era of prosperity and progress, the return of the silver engenders a new cycle of violence as Costaguana erupts in civil war, initiated by rival warlords determined to seize the mine and its riches. In desperation, Gould turns to the only man who can save the mine's treasure?Nostromo, the incorruptible head of the local dockworkers, who protects the silver from rebel forces by taking it out to sea. But disaster strikes, burdening Nostromo with a terrible secret that forever alters the fate of everyone involved with the mine.<BR><BR>A stunning monument to futility, <I>Nostromo </I>reveals how honor, idealism, and loyalty are inadequate defenses against the inexorable assault of corruption and evil.<BR></P><P style="MARGIN: 0in 0in 0pt"><B>Brent Edwards</B></B> is an Associate Professor in the English Department at Rutgers University.  He is author of <I>The Practice of Diaspora</I> (Harvard University Press, 2003) and co-editor of <I>Uptown Conservation: The New Jazz Studies</I> (Columbia University Press, 2004).</p></DIV>