<p align=justify>War memory and commemoration have had increasingly high profiles in public and academic debates in recent years. This volume examines some of the social changes that have led to this development, among them the passing of the two world wars from survivor into cultural memory. Focusing on the <i>politics</i> of war memory and commemoration, the book illuminates the struggle to install particular memories at the center of a cultural world, and offers an extensive argument about how the politics of commemoration practices should be understood.<br><br><i>Commemorating War</i> analyzes a range of forms of remembrance, from public commemorations orchestrated by nation-states to personal testimonies of war survivors; and from cultural memories of war represented in films, plays and novels to investigations of wartime atrocities in courts of human rights. It presents a wide range of international case studies, encompassing lesser-known national histories and wars beyond the well-trodden terrain of Vietnam and the two world wars in Europe.<br><br>Emerging from this book is an important critique of both "state-centered" approaches to war memory and those that regard commemoration primarily as a human response to loss and grief. Offering a wealth of empirical research material, this book will be important for cultural and oral historians, sociologists, researchers in international relations and human rights, and anybody with an interest in the cultural construction of memory in contemporary society.<br><br>Timothy G. Ashplant is a member of the Research Center for Literature and Cultural History at Liverpool John Moores University. He has published on psychoanalysis and history, and the life-writings of working-class men and women in Britain. Graham Dawson teaches cultural and historical studies at the University of Brighton. His publications include <i>Soldier Heroes: British Adventure, Empire and the Imagining of Masculinities</i>, and <i>Trauma and Life Stories</i> (with Kim Lacy Rogers and Selma Leydesdorff). Michael Roper works as a social and cultural historian in the Department of Sociology at the University of Essex. His previous publications include <i>Manful Assertions: Masculinities in Britain since 1800</i> (with John Tosh) and <i>Masculinity and the British Organization Man since 1945</i>.