<DIV>HARLEM RENAISSANCE: Four Novels of the 1930s traces the flowering of the Renaissance in diverse genres and forms. It opens with Langston Hughes's <i><b>Not Without Laughter</b></i> (1931), an elegantly realized coming-of-age tale that follows a young man from his rural origins to the big city. Suffused with childhood memories, it is the poet's only novel. George S. Schuyler's <i><b>Black No More</b></i> (1931), a satire founded on the science fiction premise of a wonder drug permitting blacks to change their race, skewers public figures white and black alike in a raucous, carnivalesque send-up of American racial attitudes. Considered the first detective story by an African American writer, Rudolph Fisher's <i><b>The Conjure-Man Dies</b></i> (1932) is a mystery that comically mixes and reverses stereotypes, placing a Harvard-educated African "conjureman" at the center of a phantasmagoric charade of deaths and disappearances. <i><b>Black Thunder</b></i> (1936), Arna Bontemps's stirring fictional recreation of Gabriel Prosser's 1800 slave revolt, which, though unsuccessful, shook Jefferson's Virginia to its core, marks a turn from aestheticism toward political militancy in its exploration of African American history.</div>