These translations of <i>The Precious Scroll of the Three Lives of Mulian</i> and <i>Woman Huang Recites the Diamond Sutra</i> are late-nineteenth-century examples of baojuan (literally, "precious scrolls"), a Chinese folk genre featuring alternating verse and prose that was used by monks to illustrate religious precepts for lay listeners. They represent only two of numerous versions of these legends, composed in a variety of genres, which were once popular all over China. While the seeds of the Mulian legend, in which a man rescues his mother from hell, can be found in Indian Buddhist texts, the story of Woman Huang, who seeks her own salvation, appears to be indigenous to China. <p>With their graphic portrayals of the underworld; dramatization of Buddhist beliefs about death, salvation, and rebirth; and frank discussion of women's responsibility for sin, these texts provide detailed and powerful descriptions of popular religious beliefs and practices in late imperial China, especially as they relate to women. <p><b>Beata Grant</b> is professor of Chinese language and literature at Washington University, and author of <i>Eminent Nuns: Woman Chan Masters of Seventeenth-Century China</i> and coauthor of <i>The Red Brush: Writing Women of Imperial China</i>. <b>Wilt L. Idema</b> is professor of Chinese literature at Harvard University. His recent publications include <i>Meng Jiangnu Brings Down the Great Wall: Ten Versions of a Chinese Legend</i> and <i>Heroines of Jiangyong: Chinese Narrative Ballads in Women's Script.</i>