<p>“The most credible and frightening of all the vampire books of the past decade.”<br />—<em>San Francisco Chronicle</em></p><p>“Bram Stoker meets Stephen King meets Michael Crichton. It just doesn’t get much better than this.”<br />—Nelson DeMille</p><p>The stunning <em>New York Times</em> bestselling vampire saga that author Dan Simmons (<em>Drood, The Terror</em>) calls, “an unholy spawn of <em>I Am Legend</em> out of <em>‘Salem’s Lot</em>,” concludes with <em>The Night Eternal</em>. The magnificent, if monstrously warped brainchild of cinematic horror master Guillermo del Toro (<em>Pan’s Labyrinth, Hellboy</em>) and Chuck Hogan—whose novel <em>Prince of Thieves</em>, was praised as, “one of the 10 best books of the year” by Stephen King—<em>The Night Eternal</em> begins where <em>The Strain</em> and <em>The Fall</em> left off: with the last remnants of humankind enslaved by the vampire masters in a world forever shrouded by nuclear winter. Still, a small band of the living fights on in the shadows, in the final book of the ingenious dark fantasy trilogy that <em>Newsweek</em> says is, “good enough to make us break that vow to swear off vampire stories.”<br /></p>