<p>“My favorite Leonard book….He writes the way Hammett and Chandler might write today, if they sharpened their senses of ironic humor and grew better ears for dialogue.” <br />—<em>Dallas Morning News</em></p><p>“The best writer of crime fiction alive.” <br />—<em>Newsweek</em></p><p>Dangerously eccentric characters, razor-sharp black humor, brilliant dialog, and suspense all rolled into one tight package—that’s <em>The Switch</em>, Elmore Leonard’s classic tale of a kidnapping gone wrong…or terribly right, depending on how you look at it. The Grand Master whom the <em>New York Times Book Review </em>calls, “the greatest crime writer of our time, perhaps ever,” has written a wry and twisting tale that any of the other all-time greats—Dashiell Hammett, Raymond Chandler, John D. MacDonald, James M. Cain, Robert Parker…every noir author who ever walked a detective, cop, or criminal into a shadowy alley—would be thrilled to call their own. Leonard, the man who has given us U.S. Marshal Raylan Givens (currently starring in TV’s <em>Justified</em>) is at his storytelling best, as a spurned wife decides to take a rightful—and profitable—revenge on her deceiving hubby by teaming up with the two thugs he hired to abduct her.<br /></p>