<DIV>"His total conviction in multiple existences within our physical world is as much an inspiration to some of the most brilliant fiction in Yoruba writing as it is a deeply felt urge to 'justify the ways of God to man.'"?Wole Soyinka, translator and Nobel Laureate<BR><BR>A classic work of African literature, <I>Forest of a Thousand Daemons</I> is the first novel to be written in the Yoruba language. First published in Nigeria in 1939, it is one of that country's most revered and widely read works, and its influence on Nigerian literature is profound, most notably in the works of Amos Tutuola.<BR><BR>A triumph of the mythic imagination, the narrative unfolds in a landscape where, true to Yoruba cosmology, human, natural, and supernatural beings are compellingly and wonderfully alive at once: a world of warriors, sages and kings; magical trees and snake people; spirits, Ghommids, and bog-trolls. Here are the adventures of Akara-ogun?son of a brave warrior and wicked witch?as he journeys into the forest, encountering and dealing with all-too-real unforeseen forces, engaging in dynamic spiritual and moral relationships with personifications of his fate, projections of the terrors that haunt man.<BR><BR>Nobel Prize?winning author Wole Soyinka translated Fagunwa's masterwork while imprisoned during the Nigerian Civil War in the 1960s. He also provides an essay on the special challenges of translating Fagunwa from the Yoruba into English, along with a glossary of Yoruba and unfamiliar words.<BR><BR>With illustrations by acclaimed Nigerian printmaker Bruce Onobrakpeya.<BR><BR>Daniel Orowole Fagunwa was born in western Nigeria in 1903. He died in a motorcycle accident in 1963.<BR><BR><B>Praise for the contributors:</B><BR><BR>"The work of Fagunwa stands at the head of creative writing in the Yorùbá language and exerts the most pervasive influence on every category of Yorùbá literary expression. . . . He responded early to the need for a literature in the vernacular, at a moment when a new cultural consciousness began to emerge out of changing social conditions.”?<B>Abiola Irele,</B> scholar of African literature<br><BR>?Among the Africans who deserve some kind of secular sainthood is Wole Soyinka.”<B>?<I>The New York Times</I></B><BR><BR>?Mr. Onobrakpeya . . . is one of the best known and most prolific African printmakers.”?<I><B>The New York Times</I></B><BR></DIV>