Literary Nonfiction. Elisa Gabbert's THE SELF UNSTABLE combines elements of memoir, philosophy, and aphorism to explore and trouble our ideas of the self, memory, happiness, aesthetics, love, and sex. With a sense of humor and an ability to find glimmers of the absurd in the profound, she uses the lyric essay like a koan to provoke the reader's reflection—unsettling the role of truth and interrogating the "I" in both literary and daily life: "The future isn't anywhere, so we can never get there. We can only disappear."<br /><br />"Gabbert strikes a perfect balance between heart and head, between cleverness and earnestness, between language that demonstrates its own fallibility and language that is surprisingly, perfectly precise."—<em>Make Magazine</em><br /><br />"... smart and philosophically dexterous, capable of showing the self to be a fetish-object of its own and also a refractive subject of Lacanian devotion, as a mirror which doesn't so much distort as endlessly `reveal,' like the panopticon eye of a camera."—<em>The Rumpus</em><br /><br />"... the dispassion about the self allows the writer to enact a number of equally lovely sleights of hand . . . Even while the author is drawn to image and reason, she is also in love with the vanishing point, where all perspective is ecstatically compressed into a single node."—<em>Gently Read Literature</em>