<div><p>&quot;I started reading these stories quietly, and then became obsessed, read them all fast, and started re-reading them again and again. They are gripping tales, but what is startling is the quality of the writing. Every sentence is both unpredictable and exactly what it should be.&quot;—A.S. Byatt, <i>The Guardian</i></p><p>&quot;Rich and allusive and unashamedly moving.&quot;—<i>The Independent</i></p><p>&quot;Spellbinding.&quot;—<i>The Irish Times</i></p><p>&quot;An uneasy blend of the exquisite and the everyday . . . the beatific, the ordinary, the rebarbative even, are almost indistinguishable . . . intelligent and well-turned.&quot;—<i>The Times Literary Supplement</i></p><p>&quot;Perhaps the finest of contemporary writers in this form.&quot;—<i>The Reader</i></p><p>The first American publication by one of the greatest living fiction masters, <i>In Another Country</i> spans David Constantine's remarkable thirty-year career. Known for their pristine emotional clarity, their spare but intensely evocative dialogue, and their fearless exposures of the heart in moments of defiance, change, resistance, flight, isolation, and redemption, these stories demonstrate again and again Constantine's timeless and enduring appeal.</p><p><b>David Constantine</b> is an award-winning short story writer, poet, and translator. His collections of poetry include<i>The Pelt of Wasps</i>, <i>Something for the Ghosts</i> (shortlisted for the Whitbread Poetry Prize),<i>Nine Fathom Deep</i>, and <i>Elder</i>. He is the author of one novel, <i>Davies</i>, and has published four collections of short stories in the United Kingdom, including the winner of the 2013 Frank O'Connor Award,<i>Tea at the Midland and Other Stories</i>. He lives in Oxford, where, until 2012, he edited<i>Modern Poetry in Translation</i> with his wife Helen.</p></div>