<div><p>&quot;Impeccable timeliness. . . . One cannot deny how it speaks to today's class war between the haves and have-notes. . . .<i>Marie Antoinette</i> is bracing, fresh theater.&quot;—<i>New Haven Register</i></p><p>The eyes of the court are on Marie Antoinette, and nothing good can come of it. Times change, and even the most fashionable queens go out of style. 1700s Versaille receives a topical send up, mixing the decadent materialism of the present with the gluttonous excess of Antoinette's era. Bold, biting, and hilarious, <i>Marie Antoinette</i> holds a mirror up to our contemporary society that might just be entertaining itself to death.</p><p><b>David Adjmi</b>'s plays include <i>3C</i>, <i>Elective Affinities</i>, <i>Stunning</i>,<i>The Evildoers</i>, <i>Caligula</i>, and <i>Strange Attractors</i>.<br></p></div>