<div><p>&quot;Anarchic and deliciously clever.&quot;<i>The Huffington Post</i></p><p>&quot;If the American family drama were a trout (stay with me), playwright Will Eno would gut it, shellac it, mount it on a plaque, and make it wiggle and croon 'Take Me to the River.' What I mean is that his work combines studied banality, sneaky weirdness, and formal ingenuity.&quot;<i>Time Out New York</i></p><p>People have been born into families since people started getting born at all. Playwrights have been trying to write family plays for a long time, too. And typically these plays try to answer endlessly complicated questions of blood and duty and inheritance and responsibility. They try to answer the question, &quot;Can things really change?&quot; People have been trying nobly for years and years to have plays solve in two hours what hasn't been solved in many lifetimes. This has to stop.<i>The Open House</i> is an hour and twenty minutes, with no intermission.</p><p>Acclaimed playwright Will Eno brings his signature irreverence to this subversive sendup of the archetypal family drama.<i>The Open House</i> won the 2014 Obie Award for Playwriting and the 2014 Lucille Lortel Award for Outstanding Play.</p><p><b>Will Eno</b>'s most recent plays include <i>The Open House</i> (Signature Theatre, New York, 2014; Obie Award, Lucille Lortel Award for Best Play),<i>Gnit</i> (Humana Festival of New American Plays, 2013) and <i>The Realistic Joneses</i> (Yale Repertory Theatre, New Haven, 2012; Broadway, 2014). His play<i>Middletown</i> received the Horton Foote Prize, and <i>Thom Pain (based on nothing)</i> was a finalist for the 2005 Pulitzer Prize. Eno lives in Brooklyn, New York.<br></p></div>