"At the heart of Walk Me to the Distance are tensions that seem to mirror those shaping the competing cultural mythologies of the South and the West: nurturing community vs. radical individualism; place vs. space; the burdensome past vs. the unimagined future--or put more simply, roots vs. routes. But in the story of David Larson, a Vietnam veteran on a road trip into the West, Everett complicates these tensions, in a sense remixing and merging the cultural mythologies, showing us a West that in the end comes to look a good bit like the South, at least in terms of the issues, concerns, and loyalties that shape the lives of the people who live there. When we first meet David, he is headed out from Savannah, Georgia, forsaking home and family (what little there's left) for unknown territory and an unmapped future. After some wayward traveling and mishaps, he ends up on a Wyoming sheep ranch, with an elderly woman, Sixbury, and her mentally challenged son. Rather than moving on, David unexpectedly decides to settle in, committing himself to Sixbury and the ranch, as well as to the community at large. "He'd found a home," David comments. "He liked the people and he loved the terrain." But as David soon learns, the bitterly harsh and largely empty Western landscape, for all its stark beauty, pushes people toward the instinctual and tribal. He learns, too, that commitments to others bring responsibilities that often demand acts simultaneously heroic and terrible"--